Alan Hargreaves' Blog

The ramblings of a former Australian SaND TSC* Principal Field Technologist

New Song – That’s Just the way that it goes

Finished recording this about 2 hours ago. It’s now available on Myspace and The Sixty One as a download. I’ve just made the 128k mp3 available under the following license:

Creative Commons License
That’s Just The Way That it Goes by Alan Hargreaves is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Australia License.

Which basically means as long as you don’t want to modify it, as long as you don’t want to make money out of it, and as long as you attribute it; you can download and pass it around as much as you like.

You can also listen to a copy from here.

The technical side of things.

I learned some things while recording this.

The drums I created with Rhythm Rascal (and I will register this shareware when I have some spare cash). I found this application incredibly easy to use and it produced a really nice wav file that I could import into reaper. I could have saved as midi, but I found I liked the samples that it used for the drums better than anything else I had.

The Bass line I did up in the midi editor in reaper using a bass sample from the Kore midi set (free download).

Now the guitar, … big lesson number 1. Put new strings on the guitar. I could not get a decent recording of the guitar with month old strings on.I also couldn’d get the exact sound I wanted inside reaper, so I ended up recording the guitar (and actually the vocals too) through my Digitech RP-150 with some hall reverb, bright EQ and slight compression.

The other really big lesson I learned is just how absolutely essential it is to use compression given the huge dynamic range of an acoustic guitar. That made an enormous difference.

In order to keep a decent strum going through the whole song, I recorded some incidental stuff for the guitar as well.After all that was done it was time to lay down the vocal. I set up the Behringer C-1 at head level and put a pop filter in front of it and kicked offf the recorder. Wow what a difference it makes to sing along against a full backing. It really helped to get into the feel of the song and I was bopping along while singing. Same thing adding the harmonies to the chorus.

All in all, I’m extremely happy with how this turned out and I hope you enjoy it too.



Written by Alan

April 14, 2009 at 10:57 pm

Posted in Music

7 Responses

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  1. Very nice song and teriffic sound. Good work! No let’s hope Sun can get back in the game.

    Thommy M.

    April 15, 2009 at 12:13 am

  2. Nice work, Alan. just listened here at Gordon.
    I’m interested in why you chose a No-Derivative CC licence. Any insights?

    Boyd Adamson

    April 15, 2009 at 12:13 am

  3. In the music industry Derivative has a special meaning.
    It’s different to a "cover", where someone simply plays your song. A derivative means they take your song and change it substantially bringing in a whole new work and new copyright stuff.
    Doing no-Derivative in Creative Commons simply means that if someone wants to do one, they need to talk to me first and get a "license" from me to do that.

    Alan Hargreaves

    April 15, 2009 at 12:19 am

  4. Hi Alan,
    I suspect that from a legal standpoint, covers would be included under the term "derivative". Of course, IANAL, so that’s probably twaddle.
    In any case, I really meant to ask less about the legal meaning and more about the thinking behind the choice of license.
    I’m more generally interested in the reasons people choose the licenses they do.

    Boyd Adamson

    April 15, 2009 at 2:49 am

  5. Mainly for the reasons that I said. If someone wants to use it for those kind of things, I’d rather know about it first.
    In music, there is a huge difference between recording a cover and recording a derivative. A cover can be recorded with a pretty standard royalty to the copyright owner. A derivative generally requires a special license from the copyright owner.
    Oh, I just re-uploaded it all over the place. I was talking with a friend about it and we noticed that the guitar and bass didn’t quite seem in tune with each other. On checking, it seems that the midi-bass was actually flat. Fortunately reaper has a plugin to re-tune tracks. Sounds much better now.

    Alan Hargreaves

    April 15, 2009 at 3:28 am

  6. Sounds great Alan!

    Che Kristo

    April 15, 2009 at 5:31 am

  7. Wonderful sound! Fantastic strings, sincere vocal! You should also lay down a cover of "Love Is All Around"! You’re nailing it!

    Bob Sneed

    May 15, 2009 at 6:48 am

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